Category Archives: Short Stories

The Blue Dot

He gazed at the blue dot. It was so close, and yet, so out-of-reach.

But he knew. He always knew.

He wanted to go there.

Carl Peters gazed up into the dark sky from which the vis­i­tors came, and to which they left again.

It filled him with won­der: the sky; the stars; the sometimes-sun… And most of all, the blue dot.

He did not fear the blue dot — not like the other Scruf­fles (their white pow­dery coats shiv­ered with the thought).

Per­haps Carl did not fear the blue dot because he had not been alive when the vis­i­tors had come; when The Tem­ple had been dstroyed; when thou­sands of Scruf­fles had lost their lives.

He did not fear it.

He wanted it.

But he could never go there.

The uni­verse was his oys­ter. He and all the other Scruf­fles could travel any­where in their lit­tle gray ships — their Blopers.

They could travel through time; through space. They could see any­thing and every­thing, from the births of suns to the deaths of entire galaxies.

But they could not see the blue dot.

Scruf­fles never vis­ited the blue dot. Not since many years ago. Not since the visitors.

No-one went to the blue dot.

No-one talked about the blue dot.

No-one thought about the blue dot.

Except Carl.

He gazed at the blue dot. “I want to go to there,” he thought.

Carl had a very nice Bloper. Top-of-the-line. But, of course, it could never take him to the one place he wanted so very badly to go; it could not take him to the blue dot, not since all Blop­ers had been mod­i­fied; not since the vis­i­tors had come; not since the blue dot had been for­bid­den; not since it had ceased to be talked about; to be thought about.

It’s so strange, he thought. It seemed so near. Nearer by far than any­where else. Why should it be so hard to reach?

Over the years, Carl tried his hard­est. He trav­elled the uni­verse, saw the sights. He left as a young Scruf­fle. He spent ages and ages explor­ing. He went to the begin­ning of time, and to the end of the uni­verse. He saw the birth of the sometimes-sun, and its death.

But like all Scruf­fles who leave for adven­ture, for all his time away, he even­tu­ally returned home to rest, mere sec­onds after he left.

And for all his time away, for all his body creaked and ached with age, it felt as if it had been no time at all.

And so one day, Carl scut­tled his aged body over to his Bloper. He tore it open, he looked inside, he ripped parts out, and put it back together.

Finally, it was ready.

It was time.

He took off, and flew.

He dived at the blue dot. It was really big.

It grew, big­ger and bigger.

Around him, every­thing became hot.

His entire Bloper glowed bril­liantly and shook vio­lently, rather less solid than it had been when he was younger. But it held together.

And then he landed.

He left his Bloper. He crawled along the grainy surface.

He looked up.

Blue.

The Storyteller

The Sto­ry­teller,” a short story about an sto­ry­teller who has stopped telling sto­ries, and a young writer who wants to under­stand why.

PDF ver­sion (more accu­rate formatting)

INT. HOME — DAY

The sun shines through the win­dows onto the ancient STORYTELLER bestow­ing wis­dom to the YOUNG WRITER.

She hangs on his every word.

STORYTELLER

The story wants to be told. It is beg­ging to be told. I can hear the char­ac­ters now, scream­ing in my head!

YOUNG WRITER

Then why not write it, may I ask?

STORYTELLER

I couldn’t pre­sume to, no more than I’d pre­sume to write you.

He shakes his head nostalgically.

STORYTELLER (CONT’D)

Some say that when when you write a char­ac­ter enough, they tell you who they are. But it’s the oppo­site: with a flick of a pen, you can rewrite their entire life story…

He laughs.

STORYTELLER (CONT’D)

And they want you to! They want to be changed!

He turns to the young writer, sud­denly serious.

STORYTELLER (CONT’D)

Have you ever asked God for help? Have you ever asked him to make you stronger? To help you over­come those obsta­cles ahead?

YOUNG WRITER

Every night.

STORYTELLER

(know­ing smile)

Yes, indeed you do.

(beat)

They speak to me. They want things. I can give them what­ever they want… But if I do…

He shakes his head.

YOUNG WRITER

I just… I just want to under­stand. Please! You used to write the most beau­ti­ful of sto­ries, but then… What hap­pened? Please!

(beat)

Make me understand…

The sto­ry­teller sighs.

STORYTELLER (CONT’D)

Give me three con­cepts, and I will give you three sto­ries. But!

(dra­matic)

Only… Only if you are very sure. If you are to under­stand, you must first change, and change… Is an unpre­dictable thing. I can never know what story I’ll come up with until I start. You have been warned.

The young writer hesitates…

She resolves.

YOUNG WRITER

Three ideas? A man kills for ice cream… Some­one tries to cre­ate utopia… A woman seeks vengeance for her sister’s death.

The sto­ry­teller considers.

STORYTELLER

Doable enough, I suppose.

(sigh)

If you are absolutely sure?

He sighs. Opens a blank book. Begins to write.

STORYTELLER (CONT’D)

Ask, and ye shall receive. There once was a man. He wasn’t an old man, nor par­tic­u­larly young…

EXT. FAIR — DAY

ADAM, not old, not young, wades through the crowd, smil­ing, carefree.

He sees some­thing on the ground.

ADAM

Cool!

He picks it up. Looks at it. In the glare of the sun, it’s impos­si­ble to see quite what the object is…

He stuffs it into an over­sized pocket.

Strolls to WENDY, ice cream vendor.

ADAM

Ma’am, could I have some apple ice cream, please?

WENDY

Three dol­lars.

He searches through his pock­ets. Wendy’s smile fades. A cou­ple of dol­lars. Cou­ple of quar­ters. A penny.

He offers it, hoping.

WENDY (CONT’D)

I’m sorry, but you need at least three dollars.

He looks around hope­lessly. Nobody offers to help.

Wendy sighs. Moves the cup of ice cream towards the trash.

ADAM

WAIT!

Wendy turns back to him. She drops the ice cream.

He’s point­ing a GUN at her.

ADAM (CONT’D)

Give me my ice cream!

VOICE (O.C.)

Adam! What are you doing?

Adam starts. Turns towards the voice– BANG!

He turns back to his arm. The gun. Wendy. The blood.

He faints.

INT. HOME — DAY

The young writer is not pleased.

YOUNG WRITER

That made no sense. And apple ice cream?

STORYTELLER

You asked for sto­ries. If you’re still unhappy after the other two, feel free to com­plain, as much as you’re able, but no more interruptions!

INT. HIGH-TECH OFFICE — DAY

JOHN sits behind the desk, speak­ing to investors.

JOHN

I want to return to The Gar­den of Eden. Pure bliss… Where all can be chil­dren for­ever… Where the insan­ity of the world can be left behind…

He walks over to a woman. It’s hard to make out her features…

JOHN (CONT’D)

And today, gen­tle­men, it has begun! We have altered adult minds – minds like those belong­ing to Eve, here–

He chuck­les at her name. Holds up her hand to show off her bracelet, engraved: “EVE. Eden, Inc.”

JOHN (CONT’D)

Back to their child-like states. Our robots…

He indi­cates robots stand­ing behind Eve.

JOHN (CONT’D)

Our robots are their par­ents. Their guides. Eve is one of two. I have changed the world, gen­tle­men. Noth­ing will ever be the same.

EXT. FAIR — DAY

The woman – DIANA – rushes up to Wendy, but it’s too late.

Diana takes the man’s gun. BANG! He’s dead.

She searches him. A bracelet. “ADAM. Eden, Inc.”

She looks up. Two robots approach.

DIANA

Take me to your boss.

INT. HIGH-TECH OFFICE — DAY

John COWERS in the cor­ner, the muz­zle of the gun point­ing up his chin.

JOHN

Just the two! Just Adam and Eve!

WOMAN

Then where is Eve?

INT. HIGH-TECH OFFICE — LATER

John lies on the ground, a BULLET HOLE through his head.

INT. HOME — DAY

The sto­ry­teller lifts his pen from the paper.

YOUNG WRITER

And? What about Eve? This is ridicu­lous! Why was there a gun lying around–

STORYTELLER

Because I wrote it. Do you not see?

(con­sid­ers)

I sup­pose not. Very well. I will change you. I will make you under­stand, if only briefly…

The sto­ry­teller turns back to the paper. Scrib­bles something.

STORYTELLER (CONT’D)

Do you not feel it? Your life chang­ing around you?

YOUNG WRITER

What do you mean?

Feet pound up the stairs.

The door slams open. It’s Diana!

STORYTELLER (CONT’D)

You’re Eve.

Diana shoots. The young writer – EVE – falls to the ground.

The sto­ry­teller closes the book.

BLACK.

Santa: A Short Story

SANTA

The snow crunches beneath your boots. It still falls, glit­ter­ing in the yel­low light of the streetlamps.

You glance left. Then right.

You try to catch your breath. A peek around the corner—

Your heart jolts as you jerk your head back. The flash of red echoes around in your mind.

You try to quiet your breath­ing. There’s an alley aheaad. Maybe you can hide there?

You try to move qui­etly, you really do, but these boots, these awful, bulky boots, crunch so loudly in the snow. You know every­one must have heard you…

You’re sure you’d remove them if you could, and brave the snow in your bare feet, but you can’t. They’re as stuck as the white beard upon your face. You never wanted the hair, but there it is.

You had no choice. No con­script does.

Anyone’s son, anyone’s daugh­ter, it doesn’t mat­ter. If they are cho­sen, they become like you. They get the boots. The beard. The cloak. The hat.

They are conscripted.

You peek into the alley­way. Empty.

Duck inside.

The tall dark stone build­ings tower above.

Santa?”

You gasp.

A crack of light shines through a barely-opened door. A child’s eyes gaze through the crack, searching.

Santa?” the child calls again.

Ryan? Ryan, close the door!” hisses a ter­ri­fied voice from inside.

A man peeks out. He spots you. His hand darts to his mouth.

I’m ter­ri­bly sorry, Santa, he’s just a kid, he didn’t mean any­thing, please for­give, please… no coal?”

Don’t call me Santa,” you reply automatically.

Then you remem­ber where you are. Who you are run­ning from.

You dart into the sahdows.

Dad, I want to talk to Santa,” whines the kid.

Shh!” His father closes the door. Then the blinds. Finally, the lights.

You run.


You can’t run home. You can’t run to family.

They think you should accept your fate. You were con­scripted. It’s your duy. It’s what they raised you for.

Never even gave you a name. Just “Santa.”

You were made to start watch­ing your sib­lings by the time you were five. They made you start watch­ing your par­ents when you were seven.

You knew when they slept, when they woke. If they were good… Or…

At first, it was just the way it was. You were a Santa. One of SANTA’s foot­sol­diers. It’s how you were raised. How you were born. No sooner were you out than they had plopped on the red hat, the red cloak, and the tini­est pair of boots.

But then…

Per­haps it was the beard that started it. Only San­tas grew beards. Only Santas…


Your eyes droop.

You can’t sleep. They’ll know. They always know.

This won’t work. You need to get out. Away. Some­where where even they can­not reach. Some­where beyond The Wall.

They always know. You know that, now, after Annabelle…


You liked Annabelle. You really did. You were sure she couldn’t have liked you the way you liked her.

But she had a name. She had thrown off the name of Santa, and had made one for her­self, a name she only ever entrusted with you.

Annabelle. Anna. Belle. Anna-bella, Annabelle.

And you knew you wanted a name, too.

Fol­low me,” she whis­pered, beck­on­ing for you to leave the dorm with her, care­ful not to wake the other Santas.

Nobody would know, you had thought.

It was easy. You would spend all day learn­ing how to watch; how to know; how to mon­i­tor the cam­eras. You and Annabelle knew exactly how to dodge them. You had assumed that cam­eras were all there was.

My uncle’s house is near,” she told you as she pulled you out through the impos­ing front gates.

You ran through the streets, barely both­er­ing to dodge out of the way of the San­tas seem­ingly on every street corner.

What you were doing hadn’t sunk in yet — you were far too giddy for that.

He’s just down the road,” she told you. You looked where she was point­ing, and then—

Ooph!”

You fell as she tack­led you into the snow. Your red coats shone in stark con­trast to the white.

She strad­dled you, and whis­pered into your ear…

You need a name, not-a-Santa.”

You looked up into her eyes, bit your lip ner­vously, and smiled. “And what,” you asked, “should my name be?”

She stroked her long, white beard.

She leaned in towards you, her hand brush­ing away the fluffy white ball of her red hat. Her lips were inches from yours…

Crunch! Booted feet were trudg­ing through snow in the nearby alley!

She rolled off of you and pulled you to your feet, then down the street.

She knocked on her uncle’s door. He didn’t answer, so she took out a hair­pin and picked the lock in sec­onds, in full light of the streetlamps.

You thought you saw a flash of red around a con­rer… but she pulled you inside and closed the door.


She gig­gled at your clumsy attempts, but hers were no bet­ter. Nei­ther of you had ever had the oppor­tu­nity — nei­ther had ever been allowed.

You raised the razor to try again.

Slowly, her beard comes off.

She had never wanted it any more than you had yours.

The last traces almost erad­i­cated, you leaned in towards her.

Your turn,” she said.

This first,” you returned, and leaned in…

CRASH!

You fell off of your perch on the bath­room counter, right into their arms.

Black boots. White beards. Red coats.


You show great promise, Santa,” rum­bled the Santa in front of you. He was quite old.

His eyes twin­kled behind his glasses. He felt warm, even within the harsh cold of the stone room, even across from the hard metal table.

There are sev­eral,” he con­tin­ued, “who think you should get coal.”

Your eyes widened in fear.

But I think different.”

Any­thing,” you said. “Any­thing! Not that…”

He smiled. “Ho-ho-ho, very good. I know you can be a good Santa. But you must rid your life of temp­ta­tion, Santa.”

You offered a promise you weren’t even sure you could keep: “I’ll never speak with Annabelle again!”

Santa frowned. “I can see the cor­rup­tion of Santa, whom you ille­gally accom­pa­nied out of this com­pound, taints you still, my dear Santa… But do not worry. We know exactly what to do. Come.”

He beck­oned. You followed.


He led you to the coal chamber.

You shiv­ered in spite of the heat of the room ema­nat­ing from the pit of glow­ing coals at its center.

Sev­eral San­tas were rak­ing the coals, get­ting them nice and hot.

The Santa guid­ing you handed you a rope.

For a moment, it didn’t sink in. For a moment, you for­got what the rope was.

Your eyes fol­lowed it up, up to the plat­form above the pit, up to where she stood.

Annabelle.

You must remove temp­ta­tion,” repeated the Santa beside you.

He put his hand on your shoul­der. He no longer felt warm. His hand was a brick of ice upon your shoulder.

Pull,” he com­manded. “Pull, and remove your temp­ta­tion. Just a tug. It’s not dif­fi­cult. Just pull.”

You looked up into Annabelle’s pan­icked eyes.

You couldn’t. You shook your head. You couldn’t! You wouldn’t!

You dropped the rope.

Santa shook his head at you in dis­ap­point­ment. Almost neg­li­gently, his large, old hands grasped the rope, and pulled.

The bot­tom of the plat­form opened.

Annabelle dropped…

Your eyes fol­lowed as she fell, fell into the pit, fell into the hot coals.

She screamed in agony as she burned!

And you screamed with her. You screamed as you fled, out of the coal room, out of the acad­emy… Into the night.


You run! You’re almost there!

The Wall lies ahead. All the good lit­tle kids know never to approach the wall. Out­side of that wall, it was dan­ger­ous. Out­side that wall, the San­tas could not pro­tect you. Out­side that wall, the San­tas could not watch over you.

It was coal to the hand for any who neared it — the scars on those few who fool­ish enough to try deterred the rest. Any who actu­ally reached it…

You near The Wall.

It must be your imag­i­na­tion. Is it brighter? Are the clouds not so dark here? Is it not snow­ing?

The wall stretches up in front of you.

San­tas run at you from all directions.

You’re sure you can make it! You’ve got to!

You jump.


It’s warm here.

Your face is bathed in the heat from the sun as it shines with a bright orange fire through the woods all around.

There’s not a flake of snow to be seen, not a cloud to be found.

You won­der how Annabelle would have found it.

You can almost feel her here with you now.

You can almost hear her whis­per a new name — a new name just for you — into your ear…

You can almost feel her lips against press up against yours…

It’s so bright here…

You close your eyes, and smile.

Dead Golfing

You don’t know what the fuss is about. It’s not like they stopped you from touch­ing the clothes before, back when they were still on the body. Why are you at any more risk of con­t­a­m­i­nat­ing the evi­dence now than then?

Fed up with the bull­shit, you stride to the ele­va­tor, and plum­met down to the Skull level. It used to be called the M level, but you decided to name your level M instead (for Mag­nif­i­cent, obvi­ously). The morgue was left with a skull-shaped button.

The doors open slowly, and you, an aveng­ing angel, power through the open­ing, stand­ing tall, ignor­ing all in your path. Inci­den­tally, this causes you to step on a live rat.

With a squeak, it dies. You make sure to give a well-timed snarl. It’s obvi­ous you must have intended to step on the rat. Per­haps that’s why you’re down here in the first place!

Except it’s not.

Clothes are the reason.

You come to a fork in your path, and with­out a pause, take the right.

Fig­ures. There’s all the peo­ple who should be cat­a­logu­ing the evi­dence. The very peo­ple who for­bid you to look at it.

TAKE THAT YOU OPTICAL-NERVE CHEWING FINGER-MASTICATING RAT-MOUTHED SLIMEBALLS! Com’on! Hand over the eye­balls! And be care­ful! They’re prime bright-blue eyes! Worth quite a bit, those! Told you he’d win – ”

You hate to inter­rupt a lovely game of minia­ture golf played with balls made of hair glued together with dead throat slime (you for­get what that’s called) and put­ters made from leg bones, played on a sur­face paved with… some type of inter­nal tis­sue, per­haps intes­tine, and with human eyes for betting.

Or, you would hate to inter­rupt, if it weren’t for the extreme right­eous anger you’re about to intro­duce them to. If it weren’t for said anger, you think you’d put down three bright emer­ald eye­balls on the teen with painted-on acne.

You grab the acne-obsessed teen around the throat, and imme­di­ately wish you hadn’t. It would appear he trans­planted some zits from some of the bod­ies onto his neck.

You slam him against the wall and get right up into his pimple-penned smarmy face.

You will tell me the loca­tion of the clothes.”

He stares at you wide-eyed. He prob­a­bly expected a reac­tion to the zits around his neck.

Now,” you growl.

Box thirty five!”

You toss him at the oth­ers. They dodge. You pay no mind.

Instead, you stride to box thirty five. You open it. You examine.

They are, indeed, the cor­rect clothes.

You search the pock­ets. A few pieces of paper; a wal­let; a pencil.

You un-wad the piece of paper.

A45. The Nile Apartments.

You pon­der as you sink into a handy chair.

I require some cheese!” you exclaim.

You wait.

No cheese is forthcoming.

Slowly, you stand, and glare at the morgue employees.

They’ve gone back to their game – only this time, it’s clear they’re try­ing to sneak it, with their hushed voices and whisper-quiet taps of the balls.

I said,” you com­mand, your voice dark and threat­en­ing, “I require cheese!”

They all stare at you.

NOW!”

They all rush off, trip­ping over each other.

You walk up to the balls of hair and pocket them.

America’s Next Vampire

America’s Next Vam­pire,” screams the poster. Some sort of tele­vised com­pe­ti­tion. You sigh.

For awhile, you had thought vam­pires were the only mag­i­cal group with sense. Appar­ently, you were wrong. Dear lord, to what lengths cer­tain vam­pire sects have sunk.

Being a vam­pire used to mean something.

Only cer­tain peo­ple could be vam­pires. Only cer­tain peo­ple would be hon­ored with the strength; the power; the immor­tal­ity; the elite fam­ily and connections.

They had one thing going for them: they were exclu­sive. Now they’re let­ting any­one in who can win some stu­pid competition.

It’s prob­a­bly the sun­ners. Imbeciles.

It’s not nat­ural. Not vampiric.

Vam­pires are not sup­posed to be happy. They are sup­posed to brood in dark shad­ows, sleep in coffins, the whole expe­ri­ence! Regret­tably, they have had to cease drink­ing blood — most donors began get­ting too creeped out, in spite of being will­ing, intro­duc­ing into the blood a rather awful after­taste that reeked of moldy rasp­berry ice cream cup­cakes — but things change, and one day, you’re sure, donors will once again sup­ply deli­cious blood.

Indeed, with so few well-trained donors, blood is now such a del­i­cacy that only the rich­est vam­pires ever indulge in it – which is say­ing a lot, as the poor­est vam­pire is merely a millionaire.

Instead, you see every­day young vam­pires walk­ing around out­side in the sun, smil­ing of all things, eat­ing these dis­gust­ing blood-flavored lollipops.

Lol­lipops! Vam­pires! Lol­lipops! It just doesn’t fit!

Then they go home, they go to bed on a nor­mal bed – it’s as if they are nor­mal! What’s the point of vam­pires if they’re normal?

Vam­pires should brood.

The 40% sui­cide rate is nat­ural. It’s who they are. Plus, liv­ing for­ever does get old after a time (you’ll ignore that the vast major­ity of these sui­cides occur dur­ing the first thirty years of vampirism).

Walk in to the sun, they say. Expe­ri­ence hap­pi­ness, they say.

You’ll go in the sun when you want, all right.

But if a vam­pire does, you’ll put him in his place.

They don’t belong there.

They should go off and brood.

The Interrogation

It’s an empty warehouse.

One giant room.

It could be more.

So it is.

And when they drag in the girl, they don’t place her in a ware­house. They place her in a tiny room.

It’s a small, uncom­fort­able room with pol­ished white tiles, shiny uncom­fort­able metal chairs and an equally uncom­fort­able metal table.

They lock her hand­cuffs to the table, then leave.

It has the per­fect green tint of an inter­ro­ga­tion room. The mir­rored, one-way glass, rough cement walls and grimy small white tiles enhance the decor; the slow “drip… drip…” from a nearby leak sets the mood.

The door clanks nois­ily as you step through it.

The girl looks up at you. You tsk.

CUT!” You yell.

The girl is star­tled and scared. She has no clue what’s going on, and it’s not as if you’re about to tell her: she might break char­ac­ter – well, even more than she already has.

Next take, don’t look up.”

You storm out.

The door slams shut.

For a moment, you stare at her through the mir­rored glass.

Her brown hair pools around her face, obscur­ing her from you. She tries to move the hair away, but before they reach, her hands catch on the cuffs.

With as much drama as you can muster, you stride once more into the room.

She doesn’t look up.

You sit; not on the chair, but on the table.

She still doesn’t look up.

Promis­ing.

She talks.

The room is darker. Danker.”

You frown. You sup­pose her words are mys­te­ri­ous enough to be dra­matic; you don’t cut scene right away, but…

The tiles, once pol­ished, are dirt­ier than ever. The table, once shiny, now bat­tered. This chair – ”

She kicks vio­lently, but can’t move. Her cuffs clank dully against the hard wood.

 – Well, it’s wood now.”

Your scowl deepens.

You decide to put the law down. “You are not here to state the obvi­ous. You are here for ques­tion­ing in the mur­der of – ”

I want a lawyer. Not a ware­house turned inter­ro­ga­tion room turned dungeon.”

You smile grimly.

You can’t always get what you want,” you respond. You lean over into her per­sonal space.

She glares at you, and attempts to pull away, but the chains bind her hands fast to the stone wall.

You hiss into her ear.

I always do.”

Lost Icing on the Cake

You lick the icing off the cupcake.

That’s what cup­cakes are good for: they are icing deliv­ery vehicles.

Yet there’s also that cake part. You never know what to do with the cake part.

It reminds you of what once was; of the icing; of the sweet­ness, long since devoured.

You want to eat it again – the same icing! It’s spe­cial! Just one more lick; just one more taste.

You want to scoop up some onto your fin­ger; you want to put it into your mouth; you want to let the fla­vor swirl around…

You wish you took your time more than you did; you wish you savored it more. If you but had another chance, you’d do it right this time!

And the cake.

You are unsure whether to keep the cake for the mem­ory, or to toss it, to rid your­self of this loss.

Per­haps you shall bury it.

Instead, you eat it.

Per­haps, you thought, there are traces of more icing! Per­haps, you thought, these traces would not be spoiled by the cake! That icing, so sweet, so perfect…

But in the end, you swal­lowed only the bread, the cake, and no more icing.

It’s not the same.

Maybe you’ll buy a new cupcake…

But it’ll still not be the same.

What’s gone is gone.

Alone

You think you are alone. You have too many thoughts to truly be so.

Many thoughts are sealed away, and yet still their noise sur­rounds you as a shroud of impen­e­tra­ble agony.

You hate them.

You grab them with a thought, and twist them, glare at them.

Their scream­ing doesn’t stop. It never does.

Because it is not them who are scream­ing, but you who are hear­ing their screams, for in the end, you are the screamer, and they are mere wisps fleet­ing through your shad­owy mind.

And it’s not their fault.

It’s not their fault that you have crushed them down so they can­not breath; stuffed them into shapes they were never meant to fit inside; hid­den them away where they can but glare at you through the night, when all is quiet, but for your thoughts.

You walk up the stairs of air, and upon the ceil­ing, you sleep, their voices calling…

Trapped

You’re cer­tainly in a pickle.

You can’t see a thing. You can’t move an inch.

You can, in fact, hear.

You can hear quite a bit. You can hear the blood rush­ing through your head; you can hear your heart pound­ing. You can hear your body as it tries its hard­est to resist.

But you can’t hear any­thing else.

The world is gone.

You are helpless.

Yet you still have your mind.

She can’t con­trol what you think.

She only con­trols the inky ten­drils of pure shadow that enve­lope you; that sep­a­rate you and the out­side world; that hold you captive.

The shadow that can absorb all your power – which is funny, see­ing as you thought you had a lot.

Really, you didn’t get the feel­ing of power from the girl at all. She felt like she barely had any.

And these shadows…

They don’t feel like you’d expect. They don’t feel entirely for­eign. They don’t even feel remotely foreign.

They feel familiar.

They feel like home.

They feel like you.

And then it clicks.

You real­ize: this shadow which sur­rounds you; this dark­ness that entraps you; it’s not hers. It’s yours. It’s your own thoughts.

She’s not con­trol­ling your mind.

You are.

All she had to do was nudge it.

Your own thoughts, made solid, sur­round and trap you.

You don’t know how to fight it.

You have to think some other way. You have to break your­self from the mind­set you have long ago trapped your­self in…

But you can’t.

So instead, you do what you always do.

Per­haps it won’t work for­ever. But it will work for now.

You don’t know what to do with the thoughts, so you push them away. It’s a tried and true method.

Ouch!

You fall to the ground. Sound deaf­ens you; light blinds you; you stumble…

You close your eyes, and con­cen­trate. The world rights itself, you stand–

You are face-to-face, eye-to-eye, with the girl – that Phoenix of Vul­ner­a­bil­ity; of Helplessness.

You are not help­less against your own thoughts.

Merely mostly helpless.

She was able to nudge them into phys­i­cal form, but you were able to change them.

She smiles.

You don’t know why she does.

You just take her magic.

It’s not like last time. You don’t have that whis­per­ing voice with its words of impulse.

You don’t even have whis­pers of help­less­ness. No whis­pers telling you how there’s no solu­tion to your prob­lem; that every­thing is ruined, and there’s noth­ing to be done.

Instead, you hear whis­pers much more frightening.

They tell you that it’s not that there’s no solu­tion to be found…

It’s that you’re try­ing to solve the wrong problem.

Those shad­ows that bound you had always bound you; you just didn’t know they were there.

Even though they’re phys­i­cal forms have once more dis­ap­peared… Even though you are now phys­i­cally free…

You know…

The voices whisper…

You’re still every bit as trapped.

The Secret

The fog behind your eyes does not suf­fice
To hide the secret which I hold so dear.
I can­not let you speak a word aloud
Or even whis­per in your mind’s own ear.

The only secrets that were ever kept
were those secrets that were never made.
Con­ceal this part of you away until
Never-day comes to wish it all away.

I pray for you that this shall all pass by,
All gone for­ever in some flame divine.
Where­fore can you not pray for it to die,
To go away so you can still be mine?

I can­not keep you like you think you are,
I can­not let you go and keep my heart,
This way you feel must be a lie, a trick,
For if you leave I know I’ll fall apart.


I can­not be who you still think I am,
I never was who you thought I should be.
I can­not lie to myself any­more,
I can­not keep the secret you make me.

Myself from myself this fog can­not hide;
This will never pass me by as you wish,
This is not some fleet­ing fancy or whim.
Let not me hide from it’s fast whirling winds.